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Chapter no 4

They tried, darling boy. I’m afraid she didn’t make it.

These phrases remain in my mind like darts in a board. He did say it that way, I know that much for sure. She didn’t make it. And then everything seemed to come to a stop.

That’s not right. Not seemed. Nothing at all seemed. Everything distinctly, certainly, irrevocably, came to a stop.

None of what I said to him then remains in my memory. It’s possible that I didn’t say anything. What I do remember with startling clarity is that I didn’t cry. Not one tear.

Pa didn’t hug me. He wasn’t great at showing emotions under normal circumstances, how could he be expected to show them in such a crisis? But his hand did fall once more on my knee and he said: It’s going to be OK.

That was quite a lot for him. Fatherly, hopeful, kind. And so very untrue.

He stood and left. I don’t recall how I knew that he’d already been in the other room, that he’d already told Willy, but I knew.

I lay there, or sat there. I didn’t get up. I didn’t bathe, didn’t pee. Didn’t get dressed. Didn’t call out to Willy or Mabel. After decades of working to reconstruct that morning I’ve come to one inescapable conclusion: I must’ve remained in that room, saying nothing, seeing no one, until nine . . sharp, when the piper began to play outside.

I wish I could remember what he played. But maybe it doesn’t matter. With bagpipes it’s not the tune, it’s the tone. Thousands of years old, bagpipes are built to amplify what’s already in the heart. If you’re feeling silly, bagpipes make you sillier. If you’re angry, bagpipes bring your blood to a higher boil.

And if you’re in grief, even if you’re twelve years old and don’t know you’re in grief, maybe especially if you don’t know, bagpipes can drive you mad.

4.

I S . So, as always, we went to church.

Crathie Kirk. Walls of granite, large roof of Scottish pine, stained-glass windows donated decades earlier by Victoria, perhaps to atone for the upset she

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